Tottenham beat Arsenal 3-0 in May in a result that went a long way to ensuring Spurs pipped their north London rivals for a Champions League spot, but the Gunners gained a measure of revenge Saturday with a commanding win at Emirates Stadium. JUMP TO: Player ratings | Best/worst performers | Highlights and notable moments | Post-match quotes | Key stats | Upcoming fixturesĪrsenal gain revenge for Champions League knockout blow Tottenham’s hopes of getting back into the game were ruined when Emerson Royal was sent off for a challenge on Gabriel Martinelli just after the hour, and soon afterward Granit Xhaka wrapped up the points. – Report: Arsenal 3-1 Tottenham | Premier League table | Upcoming fixturesĪrsenal came back out after the break full of running and were rewarded for that in the 49th minute as Gabriel Jesus pounced on a Hugo Lloris error. The Gunners took the lead in the 20th minute through a superb Thomas Partey long-range strike, but Spurs were handed a way back into the game nine minutes later when Gabriel brought down Richarlison and Harry Kane made no mistake from the penalty spot. – Stream on ESPN+: LaLiga, Bundesliga, MLS, more (U.S.) LONDON - Arsenal made it look easy in the North London derby, running out 3-1 winners against archrivals Tottenham Hotspur. For the latest news, follow us on Facebook, Twitter, and Instagram.Shaka Hislop still has reservations about Arsenal’s defence despite their impressive attacking play in their 3-1 win vs. The Royals And Politicians Of 'The Crown' And The Actors Who Play Them - Photo Galleryĭeadline's 50 Classic Halloween Movies Gallery James Bond Movies In Order: Filmography, Bond Women & Iconic Villains The tyranny of the social media may hype opening-weekend box office results, but does it subtly undermine the professional stature of filmmakers? She’d established a brilliant comedic presence working with Mike Nichols.īut Wilde‘s cinematic identity seems more ambiguous in the wake of Don’t Worry Darling - a confusion compounded by the Instagram ubiquity of her co-stars. The laughs were lost in a confusing plot involving the CIA and a Mideast revolution.Ī prickly performer who left a trail of litigation at Paramount over editing disagreements, and also disliked dealing with the media, May nonetheless could afford a high-profile flop like Ishtar. The two stars of Ishtar were cast as lovable lounge singers who, it turned out, were devious and narcissistic. Booksmart suggested the flinty humor of May, whose reputation seemed to coalesce on A New Leaf with Walter Matthau.īut then May responded to the persuasions of Warren Beatty and Dustin Hoffman to make a dark road movie set in the Middle East. “Who is Olivia Wilde trying to become?” asked one of the young moviegoers at my screening. The only overlap was a black-and-white synchronized dancing scene aimed perhaps at anchoring the audience in a verifiable reality. But not really: The actors were all playing multiple characters in a Fellini-like parade of simulcasts. The plot of Don’t Worry called for the females to be chic and subservient toward the male automatons who paraded off each day to their mysterious office. The ticket buyers, mostly young and female, seemed hopeful of re-connecting with the convivial overachievers from Booksmart but instead were introduced to Florence Pugh from Lady Macbeth Chris Pine from Star Trek and Styles, who not long ago had packed the L.A. I decided last weekend to see Don’t Worry Darling in its most favorable setting - a theater adjacent to the Palm Springs temples of modernism where it was shot. The critics’ reception was complicated, but even NPR’s pedantic critics tentatively praised Wilde’s “authentic gift.” Other reviewers picked apart its third-act plot convulsions, but in its defense, Harry Styles, its popstar co-star, pointed out, “It’s supposed to be a movie.” ‘Don’t Worry Darling’ Venice Review: Don’t Worry About The Gossip, Olivia Wilde’s 1950s Dream Life-Turned-Nightmare Is Kinda Fun But given the buzz, was it also destined for wide viewership in its eventual small-screen run? If Don’t Worry were a hit, would its success refute the theory that only Marvel sub-brands have a chance to overcome the gloom of streamerville?Īt a $35 million budget, Don’t Worry was the sort of indie film that studios were avoiding. with a 66% female audience, half under 25. The opening box office numbers have been promising – almost $20 million in the U.S. If it all worked, would Wilde become the next Elaine May? Or would Don’t Worry become her Ishtar? Wilde’s Booksmart was smart and also fun, but Worry seemed to marry The Truman Show to The Stepford Wives, an uneasy connect. This followed casting disputes during pre-production and flaky antics during post.
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